Commissioning

Work on commission has been at the heart of composers’ output for centuries, and there are many musical masterpieces which may not have been written if it weren’t for the support of commissions from patrons of the arts.

There are many reasons why performers might wish to commission a new piece of music. By commissioning new work, ensembles can not only support the creation of new music, but have works crafted to their particular strengths and values, both in terms of musical style and text or themes.

While many pieces are commissioned directly by the performing ensemble, commissions may also be funded by other organizations or individuals. Multiple individuals and groups can also band together and commission a new work by consortium – a “win-win” situation for all involved. If an individual donor wishes to support a commission, I am always happy to facilitate a connection with an ensemble who might be eager to perform the piece. Overall, commissioning is a great way to engage yourself or your ensemble in the creation of brand new music which might not otherwise exist.

Over the course of my career, I have completed over forty commissions for ensembles ranging from string quartets to community choruses. For composers, there is nothing so rewarding as working with real live performers, and others who have as much passion for creating new music as we do. If you think you might be interested in commissioning a piece, or have any questions about this process, please do contact me so we can have a chat!

Some past commissions examples…

Nativity for The Crossing and Donald Nally
Escape for Mary Hubbell
The Watcher of the Wood for Chor Leoni and The Leonids
VOYAGER for Portara Ensemble
Glenmuick for Carson Cooman

Fees and timeline

In general, for a shorter work (c. 5 minutes or less), six months to a year is a good timeframe from signing of a commissioning agreement to delivery of the new piece. Sometimes I can work quicker than that, depending on my existing workload (including consideration of the academic year). For a longer work or a large ensemble instrumental piece, a longer timeframe may be appropriate.

Fees for commissioning projects are always open to negotiation, to a point. I am fully aware and respect that commissioning new music can be a financial strain on any group or individual, and I always aim to come to an agreement that works for everyone. If you have a particular amount budgeted for a commission or a “hard limit,” it is always helpful for us composers to know this as part of the conversation, and again, I always wish to come to an arrangement that works for everyone.

To give an idea of specifics: my standard rate for unaccompanied or piano/organ accompanied choral works is about $1000 per minute of music.

Industry standard practice is to pay 50% of the commission fee upon signing an agreement and 50% upon delivery of the piece, but I am not committed to any particular fee structure, provided that some sort of down payment is received. For instance, monthly or quarterly payment plans may work better for individuals in particular.

The first step is always a conversation about the kind of work you might be interested in, so please do not hesitate to reach out!